Based in Holland, Music On Vinyl uses the Record Industry plant in Haarlem the largest surviving vinyl pressing plant in Europe and one of the top three in terms of quality, along with Pallas and Optimal in Germany. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. For this reason, it doesnt really matter whether your copy is a Bridgeport, Pitman, Terre Haute or Hollywood. It was remixed properly. Thanks Mikey. Now I'm bummed. Macero wasn't even in the same time zone during the second KoB session; he was in LA producing Dave Brubeck's Gone With The Wind, his first production. I've had 3 different people reluctantly follow my advice to buy the Ryan K Smith mono mastered KOB pressing and it's now by far their favorite pressing. FIRST! Mono vs. The 50th Anniversary issue is a pretty blue color! Another fifteen lacquers contribute to the final tally of all those found. So can anyone recommend me which versions should I own ? I've inherited more than a few LPs that are "reprocessed stereo" or "electronically enhanced for stereo effect" and other words to that effect. Columbia may eventually have arrived at aneat andorderly system of lacquer distribution withthis combination of plants, but the evidence from Kind of Blue shows that was not how the system worked in 1959. I've read similar reviews where the mono version is now their favourite version beating the Classic 200g version and the Mo-Fi 2X45. CL 1355; Vinyl LP). The original recording sessions for Kind of Blue took place at the Columbia 30th Street Studios in Manhattan, nicknamed the Church, in March and April 1959. the Amazon Associates Program via amazon.com. When you click on links to various merchants on this site and make a purchase, You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. But just to make it crystal clearTao has gone on record many times to state he was always futzing with the speed of Miles's tracks to make sure the "groove felt right". Most people today use stereo since it sounds wider, more detailed, and a lot more realistic. And the alternate take just sounds stupendous. Privacy Policy. 4 Imperial Packing Co., Inc. of Indianapolis, IN HARRY T BOOKER Mister Is Blue MONO/STEREO 45 Promo Rare Soul WB. La version stro belle la vitesse dite rectifiee' Les cinq titres en version mono une decouverte pour moi. About these vinyl. A further five lacquers account for the next quarter of all mono copies: A, B, AC, AD, and AJ. The Music On Vinyl Kind of Blue is indeed a deluxe package which offers considerable bang for the buck. And it makes sense in local marketing expertise: getting promos to their local radio station disk jockeys. 6 Imperial Packing Co., Inc. of Indianapolis, IN when suppling West Coast pressing plant c. 1966 Press operators at this time have stressed that their two priorities were to ensure Side 1 and 2 were correctly matched, and that the labels were completely dry. Band 1. It is not known how many labels with the side 2 error were printed, but the presence of the Side 2 error is proof of earlypressing status 8/59 to 11/59. OP, I can try to explain it but it's only after people listen to it that they get it. Free shipping for many products! If the covers were merely manufactured centrally at Indianapolis and supplied to Bridgeport for the promo pressing, why is there both 4 and 2, AND 6. There are clusters around certain letters, for example 1AJ on Side 1 is found with Side 2 as 1AD, 1AE,1AF and 1AG. It very well may have been erased and the tape re-used. ), Forum Policies, Rules, and Terms of Service. Does your copy say "Music on Vinyl"? How would playback be different? I've got several of the Wilder/Sony Miles Davis mono RSD 180g remasters and I'mveryimpressed with them. I wonder how a fancy (like Mikey's German unit) or homebrew ultrasonic would do for getting the embedded plastic grunge off? At other plants, stampers were deliberately chosen from different laquers. The presence of an 1Aor 1B on one side, and a higher value on the other, is not an early mono pressing, obviously. However, compared to my later "6-eye" 1AJ pressing, the reissue sounds far less "milky-cloudy" and far more transparent to the source, without veering off into the analytical. (Also, the mono mix for "Flowers Never Bend with the Rainfall" sounds better to me, but that mix seems to only appear on the single and not on the album) The stereo has far higher dynamic range and feels less compressed. AB 13th; AC 14th; AD 15th; AE 16th; AF 17th; AG 18th; Previously overlooked, there is some evidence that the distribution of promos and possibly manufacture may have been the work of more than one plant, possibly three. This was effectively the first identifiable pressing,running up to the August 1959 launchand during thefirst three months of sales. Would you know which pressing that would be? and E and F for Pitman N.J. Six (or more) sets of lacquers were usually cut for any big-name artist, so the very first mastering would be 1A,1B,1C,1D,1E,and1F. Early letter-denominated mothers and stampers were used to press further copies with the corrected label for Side 2. A,B and C could have manufactured the lot. The 1981 has something that both my 1967 and 2014 lack despite the thin vinyl. Or about Kind of Blue, "This was the only album in the set that we had to mix from the original . Should the Miles mono reissues ideally be played with a mono cart? These recordings were made in the early days of "stereo". UPDATE 12/08/19: a copy with 1F has been found, with track listing error Side 2 1D/1F with TA etching (Conn. plant). Yes, hearing "stereo" was exciting for me too, but over time I've come to realize that much of what was called "stereo" was just mono channels divided between the channels. In another development, stereo copies with 1AG and 1AH and mono copies with 1AF and 1AJ have been turning up with aletter T and alpha suffix T,TA, TB and TC found stamped mechanically like the matrix stamp. Perhaps the always moving, always restless Miles, never bothered to listen or simply didn't notice. Columbia maintained process and quality control of its print and packaging suppliers through these codes. no I don't) are now in very poor condition even though they sat untouched in the vault from 1959 until 1992. After hearing a lot of different versions of KOB I believe it's just the sound of the mute which is raw and gritty. I usually like it when you're reactionary, but this seems kind of pointless. (You must log in or sign up to reply here. Maybe theyre in your garden shed. Evidenced by the Side 2 track-listing error, mono lacquers A, B, C and D (any onboth sides)were used in the first pressingrun, together with a small number of others: a minorityof D1/D1 copies had the track list error, and one 1H/1D (1H lacquer used also for promo) was found with the erroneous label, though there may be others. Have a look. The stereo versions are mixed in a similar fashion with center mixed into both left and right channels. Columbia owned several different vinyl pressing plants over the years,consolidating operations and closing older facilites from time to time. kind of blue mono or stereo hoffman. I know that there are multiple versions of Miles Davis' Kind of Blue, there are the MFSL, the original mono and stereo LPs, the 200 gram stereo remaster, and I have listened to the album on YouTube, and 256kbps isn't doing the material justice. 2 sense. Perhaps that is one reason why so many were cut: quality control in distributed pressing through inexpensive redundancy. Stereo has always been the superior choice for me. A stereo record contains separate left and right channel information on each groove-wall at a 45-degree angle from each other.The groove is a more complicated shape with both lateral and vertical information. When KOB was originally recorded, Columbia ran simultaneous mono and three-track stereo tape recorderstwo each, one of each being for safety back-up. All rights reserved. Mono gives it a much more authentic feeling, but as for quality, stereo is what I have always gone too. Besides, I said nothing about paying attention to what they said about the vinyl under review; my intention was for people to read what was said about the state of the master tapes, how the most recent mono and stereo mixes were made, etc. The difference between mono and stereo is the number of channels that they send to the speakers. Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). The matrix code on stereo promo auctions found are: Similar to mono, stereo promos were found in four combinations of offset letter pairs, unique letters are E, K, AC and AE; each found as side 1 and side 2, but never mixed eg there is no 1E/1AC or 1K/AE. Steve Hoffman Your host Your Host Location: Los Angeles CA, USA Adagio said: What is the slight distortion that is present in every copy of KOB I've ever heard? Nor are they sold at gunpoint. All Blues)and the track-list corrected, right(1. The four variations are offset pairs eg 1D/1H and 1H/1D.With D, G and H, and each letter is found as Side 1 and Side 2. Milestone and Round About Midnight were mono-only titles. I can understand why people rave over immense Klangfilm field coil open baffle loudspeakers in a single mono configuration. Hope that helps. D is found in every permutation, including with A. G and H are never found paired with each other, or at least not found in my sample. 2: Spirit "Spirit" is a cartridge of the central existence by the development of the vertical axis concentration method. The stereo is better seperated. The process-control system to keep track of lacquers, mothers and stampers did not require matching or sequencing, becauseit did not matter which lacquer was used, as they were all the same as long as you had a Side 1 and a Side 2 stamper mounted in the press. The two channel mix down will most likely be the source of a Mobile Fidelity stereo reissue coming later in the year as part of that label's Miles Davis stereo vinyl reissue project. It's present in all formats. The majority of 1A and 1Bmatrix pairs are found as Side 2 paired with a higher letter on Side 1 (e.g. Flamenco Sketches was wrongly listed as the first track, and All Blues as the second. As mentioned before, I noticed the same "rightness" on RCA's mono vinyl of Belafone at Carnegie Hall. No point now crying over degaussed tape or whatever happened. The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. I can bang on about the best pressing of Led Zep albums and all my other traditional genres - but that's of no value here. and our Columbia CL 1193 Milestones Miles Davis, Recorded February March 1958. http://www.musiconvinyl.com/catalog/miles-davis/kind-of-blue-mono#more. How many times have I seen one of the most mediocre albums I've heard in my life be named the album of the year? Twenty sevenlacquers of Kind of Blue were cut. Where? Does anyone know if this release sounds better than the Sony Legacy 180gr release? No soul at all. I could go on about the sound but I think the real point is that given todays best 24/192 PCM processing/mixing and using original vinyl as a reference for the new mix, great things can be done. I imagine that at source, they had 20 parallel-wired mastering lathes, A 1st cutting; B 2nd; C 3rd; D 4th; E 5th; F 6th; G 7th; H 8th; J 9th; K 10th; L 11th; AA 12th; AB 13th; AC 14th; AD 15h, the Columbia Six-Eye label was in use over five years. Give me a rest from dissecting records. The problem is that nobody knows what happened to the mono master tape. Been dying for a decent mono version of KOBE since I got into jazz about a year ago. Whilst metal was strictly process controlled, it seems there was much greater latitude in printing, with different fonts and discretionary compositing decisions e.g. When KOB was originally recorded, Columbia ran simultaneous mono and three-track stereo tape recorderstwo each, one of each being for safety back-up. Good luck, L edition numrot de 2015 Dans un emballage carton bleu. That, and . Most modern speakers are are small or narrow. There was a reason why plants chose asymmetrical pairs, Side 1 and Side 2 stampers, deliberately from different lacquer sets. The three-track recording produced three distinct channels and nothing you could legitimately call "stereo". The promos were thought to be both pressed at Columbias Bridgeport Connecticut plant, according to W.B.s update, given the consistent label print and type-setting on the two versions. The 2012 stereo is best forgotten. They occur in offset mirrored pairs H/D D/H, D/G and G/D, just one exception a mono promo 1D/1D has been found, so matching plates did sometimes occur, though in every other case, they do not i.e there was a process and reason behind selecting unmatched pairs, not a random or chance selection.
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